Abstract ViewsLandscapes
Abstract landscapes, rendered in vibrant and autonomous colors, constitute a large part of Steffa Reis’ work, including her significant large-scale paintings from the early 1980s. Although the painterly syntax is abstract, her abstraction results from a sensory experience, from a reflexive observation of nature; one may sense, associate, imagine and even discern such elements as air, water, light, shadow, and seasons of the year.
Three compositional concepts are clearly evident here: the assembly of large color fields; the all-encompassing amalgam of small color patches; and the array of fragmented geometric forms that recall aerial views.
Abstract landscapes, rendered in vibrant and autonomous colors, constitute a large part of Steffa Reis’ work, including her significant large-scale paintings from the early 1980s.
Although the painterly syntax is abstract, her abstraction results from a sensory experience, from a reflexive observation of nature; one may sense, associate, imagine and even discern such elements as air, water, light, shadow, and seasons of the year.
Three compositional concepts are clearly evident here: the assembly of large color fields; the all-encompassing amalgam of small color patches; and the array of fragmented geometric forms that recall aerial views.
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Landscape, 1982
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Seascape, 1984
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Red I, 1983
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Landscape in Red II, 1983
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Untitled, 1982
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Landscape in Red II (Ha-Emek), 1985
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Landscape in Red I (Ha-Emek), 1985
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Dual Image, 1982
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Landscape III, 1983
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Landscape II, 1983
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Landscape IV, 1983
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Seascape, 1984
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Summer, 1982
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Summertime, 1990
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Urban Spring, 1984
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Tree in Spring, 1984
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Summer, 1984
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Abstract Landscape III, 1982
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Abstract Landscape with Yellows, 1984
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Landscape in Red, 1982
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Abstract Landscape, 1983
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Abstract Landscape, 1983
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Abstract Landscape, 1983
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Landscape, 1985
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Landscape, 1983
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Abstract Landscape, 1975
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Urban Reflection in Red I, 1984
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Arcadia III, 1998
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Arcadia II, 1998
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Landscape, 2012